Plan du site

Your visit

What’s on

Current news

Exhibitions

Activities

Collections

Resources and research

The documentation center

Publications

The photo library

Musée des Arts Décoratifs

Itinerary

Middle Ages / Renaissance

The Altarpiece Gallery

International Gothic

A bedroom from the late fifteenth century

Friezes from the castle of Vélez Blanco

The Early Italian Renaissance

Ceramics, glass and enamels from the thirteenth to the sixteenth century

Intarsia

The Late Renaissance

Seventeenth / eighteenth centuries

The Architectural vocabulary of the seventeenth century

Arabesques and grotesques

Ceiling from the Hôtel de Verrüe, c. 1720

Acanthus and scrolls

Carving, adornment and display cabinet with glassware

Geometric parquetry designs (frisage)

The gilt study from the Hôtel de Rochegude in Avignon, c. 1720

Hangings and upholstery

Rococo

Chinoiserie

À la capucine wood paneling, c. 1730

The Cabinet des Fables

The return to classical sources

Toward the Etruscan style

Memory and travel

The evolution of seating, 1700-1800

From soft-paste to hard-paste porcelain

Mahogany

Bronze and silverware

The Talairac drawing room, c. 1790

The drawing room of the Hôtel de Serres, c. 1795

The Salon des Boiseries

The nineteenth century

Fine tableware during the reign of Napoleon I

The Symbols of Imperial Power

The Duchesse de Berry and Charles X furniture

Restoration taste

A Louis-Philippe style bedroom (1836-1840)

The Romantic period

A Second Empire drawing room

Eclecticism

The neo-Renaissance

The splendors of courtesans

A dining room by Eugène Grasset, 1880

Japanism

The beau idéal: a style for the Empire

Art nouveau / Art déco

Wood-paneled drawing room, 1900

Artifacts of the early 1900s

Art Nouveau

Nature: a source of inspiration

Louis Majorelle: a major figure of the École de Nancy

The founding principles of Art Deco

Jeanne Lanvin’s apartment, designed by Armand-Albert Rateau, 1924-1925

A dining room by Louis Süe and André Mare, 1920-1921

The Exposition Internationale du MAD et Industriels Modernes, Paris 1925

Art Deco: Modernity and Tradition

Manager’s office, 1930

Design Collections

Digital Humanism

Philippe Stark, Design for all

A new Japan

Prisunic, a Store Serving the Everyday

Italian Design

Steph Simon, the Galerie Rive Gauche

Poetic Materials

Jean Dubuffet

Elementary Forms

Avatars of the Container

Jean Royère, Yesterday and Today

Modern Children

The International Scene

It’s your turn

The arrival of Plastics

Memphis

Dreams and Fantasies

Thematic Gallery

The Gallery des Bijoux

Introduction

Exhibitions

Current exhibitions

Cartier et les arts de l’Islam. Aux sources de la modernité

Forthcoming exhibitions

Simone Pheulpin, plieuse de temps

Touring exhibitions

Past exhibitions

Past exhibitions

Musée Nissim de Camondo

The mansion and the collections

The Camondo Family

Exhibitions

Current exhibitions

Edmund de Waal, Lettres à Camondo

Past exhibitions

Drawing and chasing bronze. Jean-Louis Prieur (1732-1795)

Itinerary

The Hall

The Kitchen

The Servants’ Dining Room

The Scullery

The Chef’s Office

The Upper Ground Floor

The Gallery

The Great Study

The Great Drawing Room

The Salon des Huet

The Dining Room and Porcelain Room

The Small Study

The Pantry

The garden

The First Floor

The Blue Drawing Room

The Library

Moïse de Camondo’s apartments

Nissim de Camondo’s apartments

The Bathrooms

Library

Ateliers du Carrousel

École Camondo

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